† denotes books available in the NDSU Music Composition library.
Alan Belkin. Musical Composition: Craft and Art. †
Richard Bellis. The Emerging Film Composer. †
Reginald Smith Brindle, Musical Composition
Vincent D’Indy. Course in Musical Composition, vol. 1. †
Leon Dallin. Techniques of Twentieth Century Composition. †
Johann Joseph Fux. The Study of Counterpoint/Gradus Ad Parnassum. †
Paul Hindemith, Craft of Musical Composition, Books 1-3 †
Jonathan Middleton. Essentials for Composers–Creative Process by Design. †
Vincent Persichetti. Twentieth Century Harmony. †
Arnold Schoenberg. Fundamentals of Musical Composition. †
Charles Wuorinen. Simple Composition. †
Samuel Adler. The Study of Orchestration, 4th Ed. † (3rd Ed. †)
Alfred Blatter. Instrumentation and Orchestration. †
Kent Kennan and Donald Grantham. The Technique of Orchestration.
Walter Piston. Orchestration. †
Charles-Marie Widor. Manual of Practical Instrumentation. †
Hector Berlioz and Richard Strauss: Treatise on Instrumentation.
Adam Carse. The History of Orchestration. †x3
Adam Carse. Musical Wind Instruments. †
Cecil Forsyth. Choral Orchestration.
Cecil Forsyth. Orchestration. †
Nikolay Rimsy-Korsakov. Principles of Orchestration. †
Gardner Read. Thesaurus of Orchestral Devices. †
Curt Sachs. The History of Musical Instruments. †
Robert Dick, Tone Development through Extended Techniques.
Brandy Hudelson, The Art of Beatboxing.
Libby Van Cleve, Oboe Unbound. †
Ronald L. Caravan, Preliminary Exercises & Etudes in Contemporary Techniques for Clarinet
Phillip Rehfeldt, New Directions for Clarinet.
Marcus Weiss, Techniques of Saxophone Playing. †
TBA
Douglas Hill, Extended Techniques for the Horn. †
Thomas Stevens, Contemporary Trumpet Studies.
TBA
TBA
TBA
Samuel Z. Solomon, How to Write for Percussion: A Comprehensive Guide to Percussion Composition. †
TBA
TBA
TBA
Angela Myles Beeching. Beyond Talent †
Gerald Klickstein. The Musician’s Way †
David Baskerville and Tim Baskerville. Music Business Handbook and Career Guide 12th Edition. (11th Ed. †)
David Cutler. The Savvy Musician †
Mark Rabideau, Creating the Revolutionary Artist. †
Elaine Gould. Behind Bars: The Definitive Guide to Music Notation. London: Faber Music, 2011. †
Steven Powell. Music Engraving Today, 2nd Ed. New York: Brichtmark Music, 2007. †
Gardner Read. Modern Rhythmic Notation. Bloomington: Indiana University Press, 1978. †
Gardner Read. Music Notation: A Manual of Modern Practice. New York: Taplinger Publishing Company, 1979.
Howard Risatti. New Music Vocabulary. [Out of print and difficult to find, it lists a number of ways to notate various extended techniques] †
G. Schirmer/AMP: Manual of Style [The style manual from Schirmer, available as print-on-demand] †
John Adams. Hallelujah Junction. †
John Luther Adams. Silences so Deep †
Philip Glass. Words Without Music †
Alex Ross. The Rest is Noise. New York, Farrar, Straus and Giroux, 2007 †
Mark Ballora. Digital Audio and Acoustics for the Creative Arts. †
Leigh Landy. Understanding the Art of Sound Organization. †
Curtis Roads. Composing Electronic Music. A New Aesthetic. †
Howard Gardner. Creating Minds. New York: Basic Books, 2011. †
Read Montague. Why Choose this Book† How we make decisions. New York: Dutton, 2006 †
Daniel Coyle. The Talent Code. New York: Bantam, 2009. †
Bruce Adolphe. Of Mozart, Parrots, and Cherry Blossoms in the Wind: A composer explores mysteries of the musical mind. New York: Limelight Editions, 1999. †
Stephen King. On Writing: A memoir of the craft. New York: Scribner, 2000. †
Eric Abrahamson and David H. Freedman. A Perfect Mess. New York: Back Bay Books, 2007. †
Scott Barry Kaufman and Carolyn Gregoire. Wired to Create: Unraveling the Mysteries of the Creative Mind. New York: TarcherPerigee, 2015. †
Paul Tough. How Children Succeed: Grit, Curiosity, and the Hidden Power of Character. Boston: Mariner Books, 2013. †
Robert Jourdain. Music, The Brain, and Ecstasy: How Music Captures our Imagination. New York: Harper Perennial, 2002. †
Anne Lamott. Bird By Bird: Some Instructions on Writing and Life. New York: Anchor Books, 1994. †
John McPhee. Draft No. 4: On the Writing Process. New York: Farrar, Straus and Giroux, 2017. †
Angela Duckworth. Grit: The Power of Passion and Perseverance. New York: Scribner, 2016. †
Rosamund Stone Zander and Benjamin Zander. The Art of Possibility. New York: Penguin, 2000. †
Twyla Tharp. The Creative Habit. New York, Simon & Schuster, 2003. †
NDSU Composition does not currently have commissioning programs (yet). However, here are some resources for commissions, for both composers and ensembles.
American Composers Forum – Commissioning by Individuals
New Music USA (Formerly Meet The Composer) – Commissioning Fees Calculator
New Music USA – Commissioning Music: A Basic Guide [PDF]
Dominick DiOrio – A (Somewhat) Brief Guide to Commissioning Music
NAfME – The Unexpected Benefits of Commissioning New Music
Chamber Music America – Classical Commissioning Program
For Composers:
The Portfolio Composer – How To Get Your First Commission
ASCAP: The American Society of Composers, Authors and Publishers
BMI: Broadcast Music International
SESAC: The Society of European Stage Authors and Composers
American Composers Alliance (ACA)
American Composers Forum (ACF)
The International Alliance for Women in Music
National Association of Composers USA (NACUSA)
Society of Composers, Inc (SCI)
Society for Electro-Acoustic Music In the United States (SEAMUS)